The Question Matters


Why I’m OK with Questioning God

 

The title card for the musical comedy series G...

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I’m a Gleek.  I’m sappy enough to enjoy the poignant moments.  I’ve been around high school students enough to appreciate the roller coaster ride with its high highs and low lows.  Musically, I dig harmony and Glee has great harmonies and music.

And this show doesn’t mess around.  It has tackled homosexuality, blended families, discrimination against women and minorities, and the sports vs. arts debate in schools, just to name a few.  This week’s episode was, for me, the high point of Glee’s audacity.  They tackled prayer in school.  And forgive my mixed sports metaphors, but they hit a home run.  They didn’t just have a friendly conversation in the principal’s office about it.  In a 60 minute show, I found one question coming up over and over again in the show: Who are we to weaponize our beliefs? By “we,” I mean humanity in general and certainly Americans.  When have we done this, you ask?  Tuesday night’s show provided many pointed observations.

Mercedes and several other friends prayed with Kurt‘s dad against Kurt’s wishes.  They weaponized their faith in prayer.  Yet Kurt was similarly guilty when he refused to accept those prayers as genuine concern for him and his father.  He weaponized his belief that there is no God.

Kurt summed up his disgust with God and those who believe in Him–that many Christians believe he (Kurt) made a choice and should be punished for that choice.  He sees that he was made that way and that others are punishing him for being who he is.  We–I– have weaponized our beliefs about homosexuality.

Kurt was a victim again in this show–when Sue Sylvester attempted to use his disgust towards his friends in Glee to prosecute Will Schuster for allowing his students to sing about their faith.  She weaponized her faith in the government to regulate religious practice.

And then there was Finn and Grilled Cheezus.  When Finn saw an image of Jesus in a grilled cheese sandwich he made, he took that sign to mean that he had a direct connection to God to ask whatever he wanted.  He weaponized his spiritual awakening for his own benefit, praying for the chance to take the next step sexually with Rachel and to win the quarterback’s job over the new kid in school.

In the end, Kurt was touched by his church experience with Mercedes, yet still skeptical at best.  Finn was confused, hurt, and doubting God more now than ever before.  Kurt’s dad showed the faintest sign of recovery from his heart attack.  How did it happen?  Was prayer involved?  Was it his deeply powerful connection with his son?

In the spirit of the best writing, the writers of this show declined to answer, leaving that for their viewers to decide.  The writers of the show openly questioned God and our beliefs about him, however devoted or skeptical we may be.  Yes, I’m OK with questioning God, especially if it comes at the expense of our easy answers, answers that we too often weaponize against those who see the world through different lenses.

Trey Finley, Gleek Extraordinaire

I’m hooked. I’m a Gleek.

“Glee” performs the music of my generation.  For some in Generation X, it’s the music of their high school and college years.  For me, it’s the music of my elementary and junior high years.  Either way, it’s a blast from the past.

The cast of Glee is good.  Really good.  I get chills when I hear Rachel Berry and her mom (played by Idina Menzel, who was part of the original cast of Wicked) sing together.  It blows me away that Cory Monteith–the actor who plays lead singer Finn Hudson–is singing for just about the first time in his life.  Sue Sylvester, the coach of the cheerleader team, has to be the funniest character on TV.  I’d tune in just to watch her banter with Mr. Shuester.

Lest you think the show is pure cheese, there’s a character who’s gay and struggling to relate to his father.  There’s the teacher with a Downs’ Syndrome sister who spends her free time caring for her.  There’s a paraplegic who performs on stage with the other students, but dreams to be free of the wheelchair.  There’s a character who gets pregnant and a character who says “no” when pressured to have sex.  And there’s the glee club diva turned cheerleader (then back to glee club diva) who struggles with her self-image, especially her weight.

Glee, like Generation X, dares you to accuse it of being shallow.  In a recent review of the show by the Los Angeles Times, their TV critic had this to say:

“Glee” is, in many ways, a very modern show, addressing topics usually reserved for serious drama — teen pregnancy, a father coming to terms with his gay son — in what is essentially a musical comedy that more than occasionally borders on camp. Over and over again, the message is: Don’t judge.